Live in Chicago
Kurt Elling
Von Freeman, Eddie Johnson, Ed Petersen, Kahil El'Zabar
Engineer: Danny Leake,
Producer: Laurence Hobgood, Kurt Elling
Blue Note Records (USA), 2000
1 CD
Catalogue #: 22211
EAN: 0724352221127
UPC: 724352221127
You save: 20%
Personnel: Kurt Elling, Jon Hendricks (vocals); Von Freeman, Ed Petersen, Eddie Johnson (tenor saxophone); Laurence Hobgood (piano); Rob Amster (acoustic bass); Michael Raynor (drums); Kahil El 'Zabar (hand drums).
Recorded at The Green Mill Jazz Club, Chicago, Illinois on July 14-16, 1999.
Includes liner notes by Neil Tesser.
LIVE IN CHICAGO was nominated for the 2001 Grammy Award for Best Jazz Vocal Album.
Kurt Elling may well be carrying the scat singing torch into the new millennium. Employing a singing approach popularized by Jon Hendricks in the 1950's, Elling seems poised to keep scat not only alive, but modern.
On LIVE IN CHICAGO, he best displays this vocal improvisational technique on the complex uptempo burner, "Downtown," and the Sting tune, "Oh My God," the latter featuring percussionist Kahil El'Zabar on African hand drums. Elling delights in blistering 16th note flourishes set against the driving rhythms of the percussion. His vocal clarity and intonation are impressive, as are his energy and overall cool-headedness. Rhythmically diverse and melodically compelling, the musicians on LIVE IN CHICAGO have a natural rapport with one another; the music is marked by spontaneous group dynamic shifts, each musician lending a hand in forging remarkable band interplay. Finally, duets between Elling and his mentor, Jon Hendricks, on "Don't Get Started" and "Goin' to Chicago" are an added and endearing plus.
Tracklist
Kurt Elling
Chicago singer Kurt Elling started out singing classical repertoire as a young man, but soon developed an interest in jazz. As a contemporary jazz vocalist, Elling incorporated the "vocalese" style of Jon Hendricks and James Moody, the hipster/beatnik slant of monologist/poets like Lord Buckley, and a progressive, visionary quality all his own. Every one of Elling's first six albums was nominated for a Grammy award, and he has consistently come out on top in jazz magazine polls, yet due to the uncompromising, left-of-center nature of his work, he continues to be a cult hero, existing outside the mainstream.
