Sky Blue Sky
Wilco
Engineer: Kevin Dean, Tom Gloady, Jason Tobias,
Producer: Wilco
Nonesuch Records (USA), 2007
1 CD
Catalogue #: 7559799879
EAN: 0075597998795
UPC: 075597998795
Wilco: Jim O'Rourke, Pat Sansone (acoustic guitar); Jeff Tweedy (acoustic 12-string guitar); Nels Cline (electric 12-string guitar); Karen Waltuch (viola); Mikael Jorgensen (Hammond b-3 organ); John Stirratt (8-string bass); Glenn Kotche (drums).
While Wilco's fifth studio album, A GHOST IS BORN, didn't come equipped with quite the same artsy, experimental flourishes as the album's infamous predecessor, YANKEE HOTEL FOXTROT, it made officially clear that the band's days in the world of alt-country had long since passed. SKY BLUE SKY (2007) finds the band not so much in a holding pattern, but rather a state of artistic contentment. The album moves one step further away from Jim O'Rourke's atmospheric production style, and finds a pleasant mid-tempo groove that reminds one of PRETZEL LOGIC-era Steely Dan, mid-period Dylan, and even certain elements of John Lennon's solo work.
Of course this is still Jeff Tweedy's band, which means SKY BLUE SKY never strays too far from what has emerged as a basic Wilco template. The constantly shifting Chicago ensemble (in its umpteenth incarnation by the album's release) still displays an instrumental precision and studio professionalism while working within a newfangled roots template, and Tweedy himself remains as searching as always, both lyrically and musically. With nary a rave-up in sight, the album could be criticized for being overly serene, but in a career marked by nearly constant tumult and controversy, it's more appropriate to see this as Jeff Tweedy's much needed and well-earned rest.
Tracklist
Wilco
When pioneering alt-country band Uncle Tupelo split in the mid-1990s, they broke off into two camps. Jay Farrar started the rootsy, twangy (if lyrically elliptical) Son Volt. Singer/songwriter/guitarist Jeff Tweedy, who co-led the band with Farrar, established himself anew with Wilco. Though Wilco initially offered country-influenced rock not unlike that of Tweedy's former outfit, they quickly progressed through the Stones-meet-Big Star shambling two-disc epic BEING THERE, the Beach Boys/Beatles-influenced pop of SUMMER TEETH, and the screwy, art-damaged, Jim O'Rourke-produced YANKEE HOTEL FOXTROT, whose release was notoriously delayed due to label apathy, though the album was eventually hailed as the group's masterpiece.
